We talked about conceptual abstraction this week. The difference between formative abstraction (discussed last week) and conceptual abstraction is formative looks at only those formal elements while conceptual abstraction look at story structure and traditional cannons and starts to break down film language a little bit.
Nigel talked about the films type which are narrative invert commons but not explicit in the narration. And they are not traditionally exposed to the audience. The r object may have hidden meaning, symbolism or metaphor. That’s interesting and I may can choose it as my research area.
An example of conceptual abstraction commercialize may be Winter Olympics 2022 by Bálazs Simon.
For the proposal. I need to illustrate my contribute to the field. I’m going to compliment it or strengthen it or challenge it.
Note
Conceptual Abstraction
- This term relates to the abstraction and juxtaposition of narrative structures or storytelling tools, traditional cannons, and communicative vehicles. •
- These approaches question and build film language, challenge perception and exploit semiotics metaphor and symbolism.
Non-Dialogued film (Kind of animation I want to do)
From Hollywood’s silent films to Surrealism, from children’s narrative to Expressionism, working without the key element of dialogue in developing the narrative or the theme, challenges the communicator to convey information through gesture and performance, filmic language and alternative audio components.